Lacquered Wood Table en Forme Libre by Charlotte Perriand for Cassina for sale at Pamono

Forme libre table in black lacquered designed by Charlotte Perriand in 1959. Relaunched by Cassina in 2011. Manufactured by Cassina in Italy. Charlotte Perriand started work on the tables en forme libre in 1938. Originally intended for her own atelier in the Montparnasse area of central Paris, they went into production courtesy of Galerie Steph Simon at the end of the 1950s. All rounded edges, and asymmetrical lines, these tables are perfectly suited to accommodating up to eight guests in small spaces. The table has three legs: one is oval with a wider footprint, the other two are smaller and are cylinder-shaped. In 2011, Cassina re-issued this piece, reducing the width of the legs to offer more space and allow guests to sit closer to each other on convivial occasions. The table-top is composed of wooden staves that slot into each other, the joins being seen at the ends, testifying to the Cassina company’s exceptional carpentry skills; any variations in the wood are part of the very nature of the raw material and serve to highlight its inherent beauty. Production delay: 8-9 weeks Important information regarding images of products: Please note that some of the images show other colors and variations of the model, these images are only to present interior design proposals. The item that is selling is on the first image. Important information regarding color(s) of products: Actual colors may vary. This is due to the fact that every computer monitor, laptop, tablet and phone screen has a different capability to display colors and that everyone sees these colors differently. We try to edit our photos to show all of our products as life-like as possible, but please understand the actual color may vary slightly from your monitor About the designer: Charlotte Perriand full membership of that avant-garde cultural movement which, from the first decades of the 20th century, brought about a profound change in aesthetic values and gave birth to a truly modern sensitivity towards everyday life. In this context, her specific contribution focuses on interior composition, conceived as creating a new way of living, still today at the heart of contemporary lifestyle. In the sphere of 20th century furnishing history, the advent of modernity made possible the entrepreneurial audacity of this true reformer of interior design. At the beginning of her professional career she was acclaimed by critics for her Bar under the roof, exhibited at the Salon d